Dr. Levine is a nationally recognized expert in wound care and pressure ulceration. and has published and spoken widely on this topic. He is a Board Member of the National Pressure Ulcer Advisory Panel (NPUAP). Dr. Levine's Pocket Guide to Pressure Ulcers co-authored by Elizabeth Ayello RN and published by the New Jersey Hospital Association is in its 4th printing and has sold over 30,000 copies.


This summer in Maine I continued my exploration of plein aire watercolor painting. “Plein aire” means that the work is done outdoors, and there was no better place to do this than the rocky beaches and little towns around Acadia National Park. My wife and I go up every summer and stay in a small cabin – quite a change from our life in Manhattan.

This summer was especially great for plein aire painting because the mosquitos were sparse compared to past seasons. I spoke to a farmer who told me it was because of the unseasonably cold spring that killed off the larvae. Nonetheless I still got plenty of bites, particularly at dusk when the divebombing really started.

Watercolor is an amazing medium. I was introduced to its intricacies by a master artist named Tim Clark who teaches at the Art Students League. I took a weekend workshop with him that got me started with the medium, and he turned me on to the great watercolor masters John Singer Sergeant and Winslow Homer.

Discovering watercolor has been an enchanting process. The unpredictable nature of the paint as it swirls, mixes, and flows onto the paper is both exasperating and sublime. Each color has its own personality and the manner that they combine with one another is often a surprise. To get it right you need to move quickly and there is little turning back once the paint hits the paper.  Being outdoors with the changing light, insects, wind, and the occasional curious passerby makes plein aire painting even more of an adventure.

Many times in my career I’ve pondered quitting the practice medicine to make art, wandering the globe with my brushes and inks.  My wife, however, probably would not approve; and living in Manhattan would no longer be an option.  So instead I take solace in the words of the great artist and teacher Robert Henri, who wrote in his classic book, The Art Spirit:

“I am not interested in art as a means of making a living, but I am interested in art as a means of living a life.  It is the most important of all studies, and all studies are tributary to it.”

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Related posts:

Venice Beach Sketchbook
Medical School Memories

Sketching on the Left Bank

Sketching in the Desert

The Corpus Callosum, Buddha’s Enlightenment, and the Neurologic Basis for Creativity





  • 09/11/2013, 8:47 pm  Reply

    We need you on the cover of JAMA.

  • John G.
    09/03/2013, 8:31 pm  Reply

    Jeff – these are delightful. Thanks for sharing.

  • Julie Hodorowski
    09/03/2013, 12:18 pm  Reply

    You seem to balance your passion for your career and artistic talents well. You are multi-talented. As an artist, writer and photogapher seems to me you could make a living through your work but that might take the joy out of it.
    You mentioned Maine and the Art Students League and reminded me of a connection from college – Richard Barnett He had some work at a gallery in Portland this summer I believe. I particularly like his sculpture.

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Dr. Jeffrey M. Levine has authored numerous articles on topics related to healthcare of the elderly. These include medical history, prevention and treatment of chronic wounds such as pressure ulcers, elder neglect and abuse, and physical restraints. He has also edited a book on legal and regulatory aspects of nursing homes.